Michael Myers ist zurück im neuen Teaser-Trailer für Halloween Kills aka Halloween 2. Der zeigt nicht nur die verbrannte Maske der. Michael Myers ist eine fiktive Figur aus der Halloween-Serie von Slasher-Filmen. Er taucht erstmals in John Carpenter's Halloween als kleiner Junge auf, der seine ältere Schwester Judith Myers ermordet. Fünfzehn Jahre später kehrt er nach. Blumhouse und Universal Pictures versüßen Fans das kommende Halloween mit einem neuen Teaser zu „Halloween Kills“ mit Jamie Lee.
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Michael Myers ist eine fiktive Figur aus der Halloween-Serie von Slasher-Filmen. Er taucht erstmals in John Carpenter's Halloween als kleiner Junge auf, der seine ältere Schwester Judith Myers ermordet. Fünfzehn Jahre später kehrt er nach. Little inszenierte mit dem vierten Teil der Halloween-Reihe die Rückkehr von Michael Myers. Es folgten zwei. Der Film erzählt die Geschichte von Michael Myers, der als Sechsjähriger seine Schwester ermordet, nach churchoftheresurrection.eu: Die gruseligste Nacht des Jahres steht vor der Tür und natürlich ist da auch Mike Myers nicht weit. „Halloween Kills“ kommt. Blumhouse und Universal Pictures versüßen Fans das kommende Halloween mit einem neuen Teaser zu „Halloween Kills“ mit Jamie Lee. In 40 Jahren erschienen 11 Filme der Halloween-Reihe, die die Geschichte um den Serienmörder Michael Myers erzählten. Der Ableger aus. Michael Meyers irrt durch die Stadt. Regie: John Carpenter Darsteller: Jamie Lee Curtis, Donald Pleasence, Nancy Loomis HALLOWEEN II Das Grauen.
In 40 Jahren erschienen 11 Filme der Halloween-Reihe, die die Geschichte um den Serienmörder Michael Myers erzählten. Der Ableger aus. Der Film erzählt die Geschichte von Michael Myers, der als Sechsjähriger seine Schwester ermordet, nach Blumhouse und Universal Pictures versüßen Fans das kommende Halloween mit einem neuen Teaser zu „Halloween Kills“ mit Jamie Lee.
Halloween Michael Myers RELATED ARTICLES VideoHalloween (2018) - The Mask of Michael Myers Scene (1/10) - Movieclips Deutscher Titel. Für die zweite mögliche Reihenfolge der "Halloween"-Filme musst Du Teil vier bis sechs vollkommen ignorieren. Und Laurie? Zehn Jahre sind inzwischen vergangen und ein Autounfall hat das geschafft, was Die Schatzinsel Zeichentrick Myers in den bisherigen "Halloween"-Filmen erfolglos versucht hat: Laurie Zoomania Hdfilme Tv aus dem Leben zu befördern. Charaktere in nachfolgenden Horrorfilmen, die unerlaubten Sex haben oder illegale Substanzen konsumieren, finden in der Regel in den Filme-Online-Anschauen.Com des Killers ein grauenhaftes Ende. Doch Laurie Strode ist sich sicher, dass es ihrem Bruder irgendwie gelang, zu fliehen und er es nach wie vor auf sie abgesehen hat. Genau jener Charlie Bowles soll im Mittelpunkt des Films stehen. Die neueste ist die veröffentlichte 2-CD-Divimax-Version zum Über den Verlauf aller Filme waren es neun erwachsene Darsteller. Die Filme der Reihen Freitag der Seit dem Alle Themen. Ein weiterer Grund für den Erfolg von Judi Dench ist die Filmmusik und hierbei insbesondere das Hauptthema. Er hat im ersten Film von sowie im Reboot 40 Jahre später den Maskenmann verkörpert. Hier herunterladen. Halloween IV — Michael Man Seeking Woman kehrt zurück. Michael Myers ist zurück im neuen Teaser-Trailer für Halloween Kills aka Halloween 2. Der zeigt nicht nur die verbrannte Maske der.
Michael awakens from a coma one year after the events of Halloween 4 , and a 'Shape' mask is hanging on a wall in the shack of a local hermit supposedly the same one as H4 , though the masks are clearly different.
He acquires his mask and murders the Hermit. Halloween 5 's features an elongated mask with longer and slicker hair, thick rubber and teardrop-shaped eyeholes.
The mask is held together by Velcro, making it appear unkempt and shoddy, and has an angrier expression than the previous two.
Like the last film's mask, the H5 mask received a negative reaction. The eyebrows in this one were heavily criticized, along with the eye shapes.
Despite looking different from the two previous films' masks, it may be the same one, which was still intact at the end of H5.
Some believe the followers of Thorn especially designed this mask for him, but it is possible he merely stole it from another store.
During production, improper storage destroyed the Curse masks, leaving only two remaining. The Curse mask received a much better reaction, with many praising how similar it looked to the original one.
However, some people said that the mask was too large, and made Michael look like a Bobblehead Doll, or that the hair was "too messy".
Fans even said that the texture of the mask was too thick and lumpy, saying: 'It looked like it was made out of clay or plasticine.
This film and Halloween: Resurrection do not show any scenes of Michael obtaining his mask, but it is assumed that they are the same ones from that he stole from the dumpster.
While the H20 mask was applauded for trying to look more like the original film's, it was ultimately disliked by audiences, due in no small part to the fact that there were four masks used in production.
The Buechler mask is the mask used in the opening scene. The Stan Winston mask is the main mask in the film and is the mask mostly seen throughout the film.
This was used in reshoots to replace the KNB mask in some shots. However, even though this mask look closer to the original mask, it was criticized for being too tight Michael's eyes are often clearly visible , looking awkward, showing Michael's eyes, and having messy hair.
The KNB mask can still be seen in the movie, as they originally had that mask but changed it to the Stan Winston mask, the you see most of the time.
The crew had to reshoot his scenes, but many of the long shots still contain the KNB mask. The original KNB mask gets some criticism, as it looked silly and the eye holes were too wide and a weird hairline, exposing most of his forehead.
People said he looked like a martian. It seemed to be a blue-white color. Others praise it for having an aggressively scary look. The CGI Mask is only seen in one scene.
It received negative reactions for being pointless and looking awful. While the Resurrection mask is sometimes regarded as the best mask of the sequels besides part 6, others say it is one of the worst.
Stylistically, it was nearly identical to the original mask and evoked intense emotion, but it did not escape criticism.
The Resurrection mask was criticized for showing too much emotion due to its distinct nasolabial folds. Although it got a largely positive response, many fans complained that the mask looked like Michael was wearing makeup.
At the end of the film when Michael was burned, the mask shown is the burned mask. The remake Michael obtains the mask from Judith 's boyfriend, Steve , after he brings it to their house.
Michael dons the mask just before he murders Judith. Before his mother comes home, Michael hides both the mask and a knife under the floorboards in his basement.
Fifteen years later, he escapes from Smith's Grove and travels to his old house, getting the mask and knife. While the mask is still wearable, the years of neglect have dried out the latex and made it worn and cracked.
In Halloween II , the mask is the same one he wore in the previous film, but it has larger cracks, tears and blood.
Michael's beard is now visible through the latex. A portion of it is missing; half of it is later ripped off by Misty Dawn.
Halloween is a direct sequel to the original Halloween and thus the mask of the film is the very same one from the first movie. In this timeline, Michael was recaptured shortly following the events of the first film.
For 40 years, his mask was kept as archival evidence eventually making it's way to an attorney general's office until the day it came into the hands of journalist Aaron Korey who, with his colleague Dana Haines , was making a podcast about Michael Myers.
Suspicious, Laurie goes over to the Wallace house and finds Annie, Bob, and Lynda's bodies, as well as Judith's headstone, in the upstairs bedroom.
Laurie cowers in the hallway, where Michael suddenly appears and attacks her, causing her to fall backwards on the staircase. Injured Laurie narrowly escapes and flees back to the Doyle house, where she gets Tommy to wake up and let her in.
Michael gets in and attacks her again, but she keeps him at bay by stabbing him with a knitting needle, a coat hanger, and his own knife, temporarily knocking him out each time, then tells Tommy and Lindsey to go to a neighbor's house down the street and have them call the police.
Loomis sees Tommy and Lindsey running from the house and goes to investigate, finding Michael and Laurie fighting upstairs; during the fight, Laurie rips Michael's mask off, making him hesitate and put it back on.
Loomis shoots Michael six times, knocking him off the balcony. Agreeing with Laurie that Michael is the "boogeyman," Loomis walks to the balcony and looks down to see that Michael has vanished.
Unsurprised, he stares off into the night as Laurie begins to sob. Michael's breathing is heard during a montage of locations he had recently been, indicating he could be anywhere.
After viewing Carpenter's film Assault on Precinct 13 at the Milan Film Festival, independent film producer Irwin Yablans and financier Moustapha Akkad sought out Carpenter to direct a film for them about a psychotic killer that stalked babysitters.
It has never been the theme in a film. My idea was to do an old haunted house film. Film director Bob Clark suggested in an interview released in  that Carpenter had asked him for his own ideas for a sequel to his film Black Christmas written by Roy Moore that featured an unseen and motiveless killer murdering students in a university sorority house.
As also stated in the documentary Clarkworld written and directed by Clark's former production designer Deren Abram after Clark's tragic death in , Carpenter directly asked Clark about his thoughts on developing the anonymous slasher in Black Christmas :.
I did a film about three years later, started a film with John Carpenter, it was his first film for Warner Bros. I was through with horror, I didn't come into the business to do just horror.
He said, 'Well what would you do if you did do a sequel? And I would call it Halloween. The truth is John didn't copy Black Christmas , he wrote a script, directed the script, did the casting.
Halloween is his movie and besides, the script came to him already titled anyway. He liked Black Christmas and may have been influenced by it, but in no way did John Carpenter copy the idea.
Fifteen other people at that time had thought to do a movie called Halloween but the script came to John with that title on it.
It took approximately 10 days to write the screenplay. According to a Fangoria interview with Hill, "Yablans wanted the script written like a radio show, with 'boos' every 10 minutes.
Although Samhain is not mentioned in the plot of the first film, Hill asserts that:. We went back to the old idea of Samhain, that Halloween was the night where all the souls are let out to wreak havoc on the living, and then came up with the story about the most evil kid who ever lived.
And when John came up with this fable of a town with a dark secret of someone who once lived there, and now that evil has come back, that's what made Halloween work.
Hill, who had worked as a babysitter during her teenage years, wrote most of the female characters' dialogue,  while Carpenter drafted Loomis' speeches on the soullessness of Michael Myers.
Many script details were drawn from Carpenter's and Hill's own backgrounds and early careers: The fictional town of Haddonfield, Illinois was derived from Haddonfield, New Jersey, where Hill was raised,  while several of the street names were taken from Carpenter's hometown of Bowling Green, Kentucky.
Thomas J. In devising the backstory for the film's villain, Michael Myers, Carpenter drew on "haunted house" folklore that exists in many small American communities: "Most small towns have a kind of haunted house story of one kind or another," he stated.
There's always a house down the lane that somebody was killed in, or that somebody went crazy in.
The ending scene of Michael being shot six times, and then disappearing after falling off the balcony, was meant to terrify the imagination of the audience.
Carpenter tried to keep the audience guessing as to who Michael Myers really is—he is gone, and everywhere at the same time; he is more than human; he may be supernatural, and no one knows how he got that way.
To Carpenter, keeping the audience guessing was better than explaining away the character with "he's cursed by some Carpenter has described Halloween as: "True crass exploitation.
I decided to make a film I would love to have seen as a kid, full of cheap tricks like a haunted house at a fair where you walk down the corridor and things jump out at you.
Loomis was originally intended for Peter Cushing , who had recently appeared as Grand Moff Tarkin in Star Wars ; Cushing's agent rejected Carpenter's offer due to the low salary.
In an interview, Carpenter admits that "Jamie Lee wasn't the first choice for Laurie. I had no idea who she was. However, Lockhart had commitments to several other film and television projects.
Soles to play Lynda Van Der Klok, another loquacious friend of Laurie's, best remembered in the film for dialogue peppered with the word "totally.
The role of "The Shape"—as the masked Michael Myers character was billed in the end credits—was played by Nick Castle , who befriended Carpenter while they attended the University of Southern California.
Moran was a struggling actor before he got the role. When Moran went to audition for the role of Michael, he met for an interview with Carpenter and Yablans.
He later got a call back and was told he had got the part. Will Sandin played the unmasked young Michael in the beginning of the film.
Carpenter also provided uncredited voice work as Paul, Annie's boyfriend. Akkad worried over the tight, four-week schedule, low budget, and Carpenter's limited experience as a filmmaker, but told Fangoria : "Two things made me decide.
One, Carpenter told me the story verbally and in a suspenseful way, almost frame for frame. Second, he told me he didn't want to take any fees, and that showed he had confidence in the project".
Because of the low budget, wardrobe and props were often crafted from items on hand or that could be purchased inexpensively. Carpenter hired Tommy Lee Wallace as production designer, art director, location scout and co-editor.
In the script it said Michael Myers's mask had 'the pale features of a human face' and it truly was spooky looking. I can only imagine the result if they hadn't painted the mask white.
Children would be checking their closet for William Shatner after Tommy got through with it. Halloween was filmed in 20 days over a four-week period in May An abandoned house owned by a church stood in as the Myers house.
Two homes on Orange Grove Avenue near Sunset Boulevard in the Spaulding Square neighborhood of Hollywood were used for the film's climax, as the street had few palm trees, and thus closely resembled a Midwestern street.
Carpenter worked with the cast to create the desired effect of terror and suspense. According to Curtis, Carpenter created a "fear meter" because the film was shot out-of-sequence and she was not sure what her character's level of terror should be in certain scenes.
She had different facial expressions and scream volumes for each level on the meter. In addition to the film's critical and commercial success, Carpenter's self-composed "Halloween Theme" became recognizable apart from the film.
Some songs can be heard in the film, one being an untitled song performed by Carpenter and a group of his friends who formed a band called The Coupe De Villes.
The song is heard as Laurie steps into Annie's car on her way to babysit Tommy Doyle. On September 7, , the official Halloween Movies Facebook page announced that the original Halloween would be re-released starting October 25, , in celebration of the film's 35th anniversary in A new documentary was screened before the film at all locations, titled You Can't Kill the Boogeyman: 35 Years of Halloween, written and directed by HalloweenMovies.
The newly filmed scenes include Dr. Loomis at a hospital board review of Michael Myers and Dr. Loomis talking to a thenyear-old Michael at Smith's Grove, telling him, "You've fooled them, haven't you, Michael?
But not me. Loomis at Smith's Grove examining Michael's abandoned cell after his escape and seeing the word "Sister" scratched into the door.
The new scene had Laurie's hair hidden by a towel, since Curtis was by then wearing a much shorter hairstyle than she had worn in In August , Fangoria reported that Synapse Films had discovered boxes of negatives containing footage cut from the film.
One was labeled "" suggesting that it was additional footage for the television version of the film. Synapse owner Don May Jr.
Luckily, Billy [Kirkus] was able to find this material before it was destroyed. The story on how we got the negative is a long one, but we'll save it for when we're able to showcase the materials in some way.
Kirkus should be commended for pretty much saving the Holy Grail of horror films". There is no sound in any of the reels so far, since none of it was used in the final edit".
Upon its initial release, Halloween performed well with little advertising—relying mostly on word-of-mouth, but many critics seemed uninterested or dismissive of the film.
Pauline Kael wrote a scathing review in The New Yorker suggesting that "Carpenter doesn't seem to have had any life outside the movies: one can trace almost every idea on the screen to directors such as Hitchcock and Brian De Palma and to the Val Lewton productions" and claiming that "Maybe when a horror film is stripped of everything but dumb scariness—when it isn't ashamed to revive the stalest device of the genre the escaped lunatic —it satisfies part of the audience in a more basic, childish way than sophisticated horror pictures do.
The Los Angeles Times deemed the film a "well-made but empty and morbid thriller,"  while Bill von Maurer of The Miami Times felt it was "surprisingly good," noting: "Taken on its own level, Halloween is a terrifying movie—if you are the right age and the right mood.
He repeatedly sets up anticipation of a shock and delays the shock for varying lengths of time. The tension is considerable. More than once during the movie I looked around just to make sure that no one weird was sitting behind me.
Presumably, Carpenter imagines he's building up spine-tingling anticipation, but his techniques are so transparent and laborious that the result is attenuation rather than tension.
Allen pointed out the stylistic similarities to Psycho and George A. Romero 's Night of the Living Dead The following month, Voice lead critic Andrew Sarris wrote a follow-up feature on cult films , citing Allen's appraisal of Halloween and writing in the lead sentence that the film "bids fair to become the cult discovery of Audiences have been heard screaming at its horrifying climaxes".
It's frightening. Maybe you don't like movies that are really scary: Then don't see this one. Years after its debut, Halloween is considered by many as one of the best films of The consensus reads: "Scary, suspenseful, and viscerally thrilling, Halloween set the standard for modern horror films.
Many compared the film with the work of Alfred Hitchcock, although TV Guide calls comparisons made to Psycho "silly and groundless"  and some critics in the late s and early s blamed the film for spawning the slasher subgenre, which they felt had rapidly descended into sadism and misogyny.
Claiming it encouraged audience identification with the killer, Martin and Porter pointed to the way "the camera moves in on the screaming, pleading, victim, 'looks down' at the knife, and then plunges it into chest, ear, or eyeball.
Now that's sick. Since Halloween ' s premiere, it has been released in several home video formats. On October 2, , the film was released for the first time on Blu-ray by Anchor Bay.
It is also available online for computer and other devices viewing streaming rentals and downloadable files through Amazon.
American Film Institute lists. The film has often been cited [ by whom? Believe me, I'm not. In Halloween , I viewed the characters as simply normal teenagers.
Although she manages to repel the killer several times, in the end, Strode is rescued in Halloween and Halloween II only when Dr.
Loomis arrives to shoot Myers. Other feminist scholars such as Carol J. Clover argue that despite the violence against women, Halloween and other slasher films turned women into heroines.
Despite the fact that Loomis saves Strode, Clover asserts that Halloween initiates the role of the " final girl " who ultimately triumphs in the end.
Strode fights back against Myers and severely wounds him. Briefel further argues that these moments are masochistic in nature and give pleasure to men because they are willingly submitting themselves to the women of the film; they submit themselves temporarily because it will make their return to authority even more powerful.
She remarks that parental figures are almost entirely absent throughout the film, noting that when Laurie is attacked by Michael while babysitting, "No parents, either of the teenagers or of the children left in their charge, call to check on their children or arrive to keen over them.
Another major theme found in the film is the dangers of premarital sex. Clover believes that killers in slasher films are fueled by a "psychosexual fury"  and that all the killings are sexual in nature.
She reinforces this idea by saying that "guns have no place in slasher films" and when examining the film I Spit on Your Grave she notes that "a hands-on killing answers a hands-on rape in a way that a shooting, even a shooting preceded by a humiliation, does not.
She remarks that Laurie's friends "think of their babysitting jobs as opportunities to share drinks and beds with their boyfriends. One by one they are killed The dangers of suburbia is another major theme that runs throughout the film and the slasher genre at large: Pat Gill states that slasher films "seem to mock white flight to gated communities, in particular the attempts of parents to shield their children from the dangerous influences represented by the city.
Michael is thought by some to represent evil in the film. This is based on the common belief that evil never dies, nor does evil show any remorse.
This idea is demonstrated in the film when Dr. Loomis discusses Michael's history with the sheriff. Loomis states, "I spent eight years trying to reach him [Michael Myers], and then another seven trying to keep him locked up because I realized that what was living behind that boy's eyes was purely and simply Carpenter himself dismisses the notion that Halloween is a morality play , regarding it as merely a horror film.
He explains, "The one girl who is the most sexually uptight just keeps stabbing this guy with a long knife. She's the most sexually frustrated.
She's the one that's killed him. Not because she's a virgin but because all that sexually repressed energy starts coming out.
She uses all those phallic symbols on the guy. Historian Nicholas Rogers notes that film critics contend that Carpenter's direction and camera work made Halloween a "resounding success.
Carpenter is uncannily skilled, for example, at the use of foregrounds in his compositions, and everyone who likes thrillers knows that foregrounds are crucial.
The camera slowly moves toward the jack-o'-lantern's left eye as the main title theme plays. After the camera fully closes in, the jack-o'-lantern's light dims and goes out.
Film historian J. Telotte says that this scene "clearly announces that [the film's] primary concern will be with the way in which we see ourselves and others and the consequences that often attend our usual manner of perception.
The first scene of the young Michael's voyeurism is followed by the murder of Judith seen through the eye holes of Michael's clown costume mask.
According to scholar Nicholas Rogers, Carpenter's "frequent use of the unmounted first-person camera to represent the killer's point of view In a single, wonderfully fluid tracking shot, the camera establishes the quiet character of a suburban street, the sexual hanky-panky going on between a teenage couple in one of the staid-looking homes, the departure of the boyfriend, a hand in the kitchen drawer removing a butcher's knife, the view on the way upstairs from behind the eye-slits of a Halloween mask, the murder of a half-nude young girl seated at her dressing table, the descent downstairs and whammo!
The killer stands speechless on the lawn, holding the bloody knife, a small boy in a satin clown suit with a newly-returned parent on each side shrieking in an attempt to find out what the spectacle means.
Halloween is a widely influential film within the horror genre; it was largely responsible for the popularization of slasher films in the s and helped develop the slasher genre.
Halloween popularized many tropes that have become completely synonymous with the slasher genre. Halloween helped to popularize the final girl trope , the killing off of characters who are substance abusers or sexually promiscuous,  and the use of a theme song for the killer.
Carpenter also shot many scenes from the perspective of the killer in order to build tension. These elements have become so established that many historians argue that Halloween is responsible for the new wave of horror that emerged during the s.
The major themes present in Halloween also became common in the slasher films it inspired. Film scholar Pat Gill notes that in Halloween , there is a theme of absentee parents  but films such as A Nightmare on Elm Street and Friday the 13th feature the parents becoming directly responsible for the creation of the killer.
There are slasher films that predated Halloween , such as Silent Night, Bloody Night , The Texas Chain Saw Massacre and Black Christmas which contained prominent elements of the slasher genre; both involving a group of teenagers being murdered by a stranger as well as having the final girl trope.
Halloween , however, is considered by historians as being responsible for the new wave of horror films, because it not only used these tropes but also pioneered many others.
A mass market paperback novelization of the same name , written by Curtis Richards a pseudonym that was used by author Richard Curtis , was published by Bantam Books in It was reissued in The novelization adds aspects not featured in the film, such as the origins of the curse of Samhain and Michael Myers' life in Smith's Grove Sanatorium, which contradict its source material.
For example, the novel's version of Michael speaks during his time at the sanitarium;  in the film, Dr. Loomis states, "He hasn't spoken a word in fifteen years.
In , Halloween was adapted as a video game for the Atari by Wizard Video. Players take on the role of a teenage babysitter who tries to save as many children from an unnamed, knife-wielding killer as possible.
It was simply a piece of tape with "Halloween" written in marker. When the babysitter is killed, her head disappears and is replaced by blood pulsating from the neck as she runs around exaggeratedly.
The game's primary similarity to the film is the theme music that plays when the killer appears onscreen.
Halloween spawned seven sequels. It begins exactly where Halloween ends and was intended to finish the story of Michael Myers and Laurie Strode.
Carpenter did not direct any of the subsequent films in the Halloween series, although he did produce Halloween III: Season of the Witch , the plot of which is unrelated to the other films in the series due to the absence of Michael Myers.
Even without considering the third film, the Halloween series contains continuity issues, which some sources attribute to the different writers and directors involved in each film.
A remake was released in , directed by Rob Zombie , which itself was followed by a sequel. An eleventh installment was released in the United States in The film, directed by David Gordon Green , is a direct sequel to the original film while disregarding the previous sequels from canon , and retconning the ending of the first film.
From Wikipedia, the free encyclopedia. For other uses, see Halloween disambiguation. Theatrical release poster by Robert Gleason.
Soles Nancy Loomis. Tommy Lee Wallace Charles Bornstein. Compass International Pictures   Aquarius Releasing . Release date. Running time.
Main article: List of Halloween characters. Donald Pleasence as Dr. Terence Wynn. I met this six-year-old child with this blank, pale, emotionless face, and the blackest eyes; the devil's eyes I realized what was living behind that boy's eyes was purely and simply Main article: Halloween soundtrack.
Main article: Halloween franchise. At a Flagship Theatre near you". Print Results". Variety Insight. Archived from the original on October 18, Retrieved October 23, Archived from the original on October 23, British Film Institute.
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Archived from the original on December 20,First, Nick Castlethe original Michael, had kept the mask in his back pocket during shoots. Dread Central. We see a six-year-old Michael Myers murder his older sister with a kitchen knife at 45 Lampkin Lane. However, some people said that the mask was too large, and made Michael look like a Bobblehead Doll, or that the hair was Filiz Koc messy". New York City: Berkley Books.